里戈莱托（因格瓦尔·威克塞尔 Ingvar Wixell 饰）天生矮小丑陋，是宫廷里博人一笑的弄臣。曼图亚公爵（卢奇亚诺·帕瓦罗蒂 Luciano Pavarotti 饰）仗着自己生得英俊潇洒，四处侮辱玩弄女性，里戈莱托为了上位，整天在他身边为他出谋划策助纣为虐。久而久之，大家对于曼图亚公爵的恶行忍无可忍，决定设计报复。 　　这一次公爵看上的，是里戈莱托年轻纯洁的小女儿吉尔达（爱狄塔·格鲁贝罗娃 Edita Gruberova 饰），对此并不知情的里戈莱托亲手将自己的女儿送到了荒淫无度的公爵手中。当里戈莱托发现了真相后悲痛欲绝，决心杀死公爵为自己的女儿报仇，哪知道当他打开装有公爵尸体的麻袋后，发现里面的人竟然是吉尔达。

G.威尔第创作的歌剧。3幕。剧本由M.皮亚维根据V.维克多·雨果的讽刺戏剧《国王寻欢作乐》改编。完成于1851年，同年首演于威尼斯。主人公里戈莱托貌丑背驼，在宫廷里当一名弄臣。年轻貌美的曼图亚公爵专以玩弄女性为乐，而里戈莱托常为公爵出谋，帮他干勾引朝臣妻女的勾当，引起人们的愤恨，大家定计对他进行报复，让他不自觉地参加诱拐自己心爱女儿吉尔达。里戈莱托发现自己竟将女儿交给公爵后，决定雇刺客杀死他。当他从刺客手中接过装有尸体的口袋，以为大功已成时，忽闻公爵高歌之声，急忙打开口袋，发现里面装的是奄奄一息的女儿，这使他痛苦万分。原来，这个获悉行刺计划的少女对虚情假意的公爵一往情深，甘愿为爱情而替公爵一死。作曲家注重加强歌剧的戏剧成分，用音乐手法将剧中人物内心的感情变化和人物性格表现得极为深刻。

属于杀手协会的职业杀手组合杉本千里(高石明里饰)和深川真弘(伊泽彩织饰)前往宫崎县出差。一到达就完成了任务，充分享受着度假的气氛，但千里发现了一件事。今天是搭档真寻的生日，但是之后还有下一个杀人的计划，连准备礼物的时间都没有!他隐藏内心的焦虑，前往目标所在的宫崎县政府。本来只是干掉一个小混混的简单工作，但是在指定地点的却是拿枪指着目标的神秘男子。这个男人的真实身份是独狼杀手冬村枫(池松壮亮)。以杀死150人为目标的“史上最强敌人”，将千里和真弘逼到了绝境... ..。

Gavin O’Connor: 　　We should make this a trilogy. So what’s the middle chapter?’ That became The Accountant 2, exactly as we envisioned it. And now, we have The Accountant 3 on the way. We’ve been now kicking the tires on what that story is. So, we’ll be doing that next.

Gavin O’Connor: 　　We should make this a trilogy. So what’s the middle chapter?’ That became The Accountant 2, exactly as we envisioned it. And now, we have The Accountant 3 on the way. We’ve been now kicking the tires on what that story is. So, we’ll be doing that next.

在十六世纪意大利曼图瓦城，主人公利哥莱托貌丑背驼，在曼图亚公爵的宫廷中当一名弄臣。公爵年轻貌美，专以玩弄女性为乐引起朝臣们的不满。而利哥莱托对朝臣妻女受辱的不幸大加嘲讽，得罪了许多人，终致失女之祸。他的爱女吉尔达纯洁、貌美，公爵乔装成穷学生暗中追求，骗得了她的爱情。后来，利哥莱托以美色诱使公爵夜宿旅店，雇用刺客将他杀死。黎明前，却发现受害的是女扮男装、已经奄奄一息的吉尔达

An idealistic artist, a celebrated opera singer, and a corrupt police chief engage in a fierce battle of wills in this tempestuous tale of cruelty and deception. Puccini’s great melodrama may be set in 1800, but its tale of intrigue, hypocrisy, and the courage of convictions is anything but dated. In story, song, and ethical challenge, Tosca offers your students an afternoon of extreme opera. 　　In his new Met production, director Luc Bondy presents Tosca not only as a thriller but also as an intimate drama of devotion, courage, and resilience. “Tosca,” says James Levine, the Met’s Music Director and conductor of this Live in HD performance, “combines Puccini’s glorious musical inspiration with the melodramatic vitality of one of the great Hitchcock films. From the very first bar of the piece, Tosca seizes you and keeps you on the edge of your seat until the last note.” 　　The acclaimed Finnish soprano Karita Mattila, seen in the 2008 Live in HD transmission of Puccini’s Manon Lescaut, sings the title role of Floria Tosca—a high point in any soprano’s career. The excitement is not only musical. “At first I thought, ‘How will it feel to kill somebody on stage?’” Mattila says. “But Tosca is like an action movie, and the drama just happens.”

John Dexter’s riveting production, designed by Tanya Moiseiwitsch, captures the dark passions of Verdi’s ever popular opera. Cornell MacNeil, in the role of his sensational Met debut, is the tortured hunchback jester, desperate to protect his daughter, Gilda, from the lascivious Duke of Mantua. Ileana Cotrubas is at her most affecting as the innocent girl who sacrifices herself for love. Plácido Domingo’s golden voice and suave appeal are perfect for the charming but faithless Duke. James Levine conducts.

跟随朝鲜最伟大的刺客在他致命的最后一次任务的旅程中。

跟随朝鲜最伟大的刺客在他致命的最后一次任务的旅程中。